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Alamar is a new city built in the 1970s in the outskirts of La Habana, Cuba, mostly with rudimental prefabricated technologies inherited from the soviets. It has been put in place through self-construction teams of 32 citizens employed in the so called microbrigadas: a system affecting not only the way the physical environment has been produced, but also the social texture formed in the process.
A wasteland along the Spree river, that soon became a place of refuge for those with no place in society. Evacuated from its informal inhabitants, the area has undergone restructuring to host a complex of luxury buildings. This piece of land of 10,000 square meters located near the river Spree remained for years an empty lot in which a configuration of multiple actors were trapped in the contradictions and oddities of post-modernity, as practices of meaning-making were being played out in a dead-end struggle to assert claims over the identity of such urban void. The complexities of the social dynamics that have constantly defined and erased the use of the Cuvrybrache throughout the years unfold on several overlapping layers. The most visible of these strata is the conflict for the material control of space, which mostly involves those who envision the Cuvrybrache as an appealing potential to generate economic capital and the Kreutzberg neighborhood, which attaches a cultural value to the territory, whose story is worth to be outlined briefly.
Once an unattractive place, formerly on the East-West border and at the periphery of public discourse, it has recently become an area of new interest for different social groups. Over the years it has welcomed a mainly Turkish community, but now young people from all over Europe are attracted to Neukölln by its affordable rents, and new bars, art galleries and trendy shops are appearing. However, rents are increasing dramatically, and Neukölln is showing signs of gentrification, which raises debates about the future of the district and its low-income inhabitants.